新网球王子OVA2 神之子vs皇帝

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岛囧

大四毕业生唐晓婧一行六人探险旅行，几人登上一座神秘小岛后，同行的富二代张浩天讲起了三年前发生在岛上的一桩命案，这个传说让这群看惯了恐怖电影的年轻人们惴惴不安，而途中偶遇的两名外表凶神恶煞实质内心萌正善良的农民工兄弟鱼干、可蛋为维修黄老板的小木屋恰好也登上了小岛，不知情的双方人马在岛上再次相遇从而展开了一场啼笑皆非的撕逼大战……

飞天舞

故事发生在元朝时期，传奇刺客紫霞狼（申贤俊 饰）站在贵胄豪宅的房顶上，注视着那位让他毕生魂牵梦绕的女子，心中百感交集。许多年前，高丽族后代刘珍河卖艺人郭藏（奇周峰 饰）四处流浪，修习武功，他偶然在丛林里搭救了蒙古将军的女儿雪莉。两小无猜的男孩女孩成为好友，十年相守更让他们对彼此都有着深深的眷恋与牵绊。然而造物弄人，珍河不得不与雪莉（金喜善 饰）生离死别。雪莉被父亲左右，即将嫁给南宫家独子南宫俊光。学成绝世武功的珍河得知了自己的身世，他百转千回来到雪莉身边，无奈命运无法改变。成为紫霞狼的珍河与亲元派的南宫家势不两立，他不免与始终珍爱的雪莉渐行渐远…… 　　本片根据韩国漫画家金惠磷的原作改编。

娜娜的玫瑰战争

开朗泼辣的女孩丁娜（谢娜 饰）即将与相恋六年之久的业余画家男友李晨走入婚姻殿堂，谁知男友临阵逃脱，与在油画拍卖展上偶然邂逅的鉴赏家林晓毓（金伊彤 饰）坠入爱河。心怀怨气的丁娜对着5块钱买来的天珠发誓，一定要找比李晨好一百倍的男子。也许上天听到了她的心声，缘分真地从天而降。某天，开着宝马、帅气潇洒的有钱公子哥洛阳（李承铉 饰）来到丁娜面前，谁知他竟是林晓毓的前男友。 　　让丁娜郁闷的是，高傲张扬的林晓毓经常挎着李晨在众人面前大秀恩爱，令娜娜抓狂不已。与此同时，洛阳却希望丁娜和李晨重归于好，以迎回前女友的心。一段奇妙的姻缘由此展开……

良医第三季

　　改编自朴才范执笔之同名韩国电视剧，由大卫·萧尔开发，在ABC播出的美国医学电视剧。本剧由ABC工作室与索尼影业电视共同制作，韩裔男星金大贤和身兼节目统筹的萧尔担任执行制作，并由佛莱迪·海默尔领衔主演兼任制作人。

小早川伸木之恋

由柴门文漫画「 小早川伸木之恋」改编之同名日剧在20日召开製作发表会。「 小早川伸木之恋」由唐泽寿明主演，他饰演一名个性温厚的外科医师，虽然已经有妻子(片瀨那奈 饰)，却受到盆栽教室中相遇的女性(紺野MAHIRU 饰)所吸引。人气小生 藤木直人、谷原章介亦出演该戏。 与知名女演员山口智子结褵多年的唐泽寿明，对於外遇之事说「现实中很难吧，如果私底下真的有的话会变成大事件的。」然后唐泽又开玩笑的说「真正怎样是不能讲的呢。」 唐泽寿明继“白色巨塔”后再扮外科医生，但这次个性与“白色巨塔”中为了名利不择手段的天才外科医师－财前五郎大相迳庭，他在主演的新戏“小早川伸木之恋”，饰演一名个性温厚不喜争名夺利的医师。唐泽寿明表示，新戏真实的描述了现代夫妻之间的问题，以及在复杂社会中成人的生活方式，这些都很吸引他。“小早川伸木之恋”将在明年1月起于富士电视台播出。 “小早川伸木之恋”由名漫画家柴门文所着同名作品改编，故事描述在国立大学附属医院工作的小早川伸木医师，表面过着平和幸福的生活，但事业上夹在上司与部属之间，而妻子又善妒情绪不稳定，这些都让他渐渐感到力不从心，而此时却在盆栽教室中遇见了一位有不可思议魅力的女子…。

恶毒女巫骗孩子吃魔法糖#女巫

一位新近成為孤兒的九歲男孩跟著奶奶來到英格蘭，當祖孫倆在一間旅館過夜時，卻不幸碰撞見一場由高階女巫（安潔莉卡休斯頓，「現代教父」）領導的巫婆集會，聽到她們陰謀計畫將全英國的小孩變成老鼠！男孩雖然被女巫變成一隻老鼠，卻還是努力設法要阻止這些巫婆的邪惡計謀得逞；這部既有趣又嚇人的現代童話是改編自羅德戴爾（RoaldDahl）的知名作品，亦是"大青蛙"創始人吉姆韓森（JimHenson）最後一部擔任製作的電影。

授权

A group of activists break into a government facility in hope to expose what they're doing.. Only to realise they are in more danger than they could of ever imagined when a wild beast breaks free.

女侠脱脱儿

脱脱儿之父林斯真为反元义士,当年与妓女柳青青相恋,青珠胎暗结却嫁予元朝脱脱丞相,数年后真闯相府夺回女儿.脱脱儿邂逅丞相手下蒋华生,得其引见与青母女重逢.脱脱儿欲代父行刺丞相,丞相却力证她确为其女,反命她杀真,脱脱儿不忍下手.青发现脱脱儿与生相恋,又得知丞相命生杀真,情急下向脱脱儿说出生才是她与真的骨肉,生与她实为异父兄妹.惟此时真已被元将杀死,生决助反元之士当内应.脱脱儿被丞相逼嫁元帝,幸得生救她出宫‘

神泉仙农

暂无简介

奈斯尔之塔[电影解说]

Paris, 1315. The Tour de Nesle, a guard tower on the banks of the Seine, has become a symbol of mystery and fear. Each morning, at its base, the bodies of handsome young aristocrats are found floating in the river, all butchered by sword or arrow. One evening, two noblemen, Buridan and Philippe d'Aulnay, find themselves in the infamous tower, lured there on the expectation of a night of unbridled passion. Little do they realise that they are to be the next victims of a woman who is determined to take revenge against all men - Margaret of Burgundy, the present Queen of France. Although Philippe is killed, Buridan escapes, and intends to blackmail the Queen. Unless she makes him her prime minister, he will expose her crimes to Philippe's brother and her husband, King Louis X. When she moves to eliminate Burdan, Margaret makes a terrible discovery...　　In the twilight years of his long and pretty uneven career, the great avant-garde film director Abel Gance made a number of films which, whilst not as grand and artistically inspired as his early silent masterpieces (La Roue (1923), Napoléon (1927)), still compared very favourably with the work of his contemporaries.　　Of these, La Tour de Nesle is a film that still stands up remarkably well today - an ambitious historical drama based on the famous 1832 play by Alexandre Dumas. It makes a nice companion piece to Gance's subsequent historical romp, Cyrano et d'Artagnan (1964).　　　　Needless to say, the film isn't to be commended on its historical accuracy. As any historian will tell you, the Alexandre Dumas version of French history is wildly fanciful, to say the least. However, this doesn't prevent La Tour de Nesle from being an entertaining and, at times, highly poignant, piece of cinema.　　Whilst the characterisation and dialogue leave much to be desired, the plot (a murky tale of cruel revenge and political intrigue) is gripping, and the film's artistic design is exceptional for a film of this period. Gance brings a strangely expressionistic touch to his use of colour and shade, something which adds to the darkly sinister nature of the plot, whilst imbuing the film with a striking sense of historical realism. A propos, Gance's assistant director Nelly Kaplan makes her screen début in a small role, shortly before she herself embarked on a successful film making career.